The
notion of a)LoStCrEaTiVe was founded in the summer of 2001 and
has grown from a one woman wonder to an artistic collective
with mutual goals "to create original thought provoking
'live art' and 'installation work.' Creatives consist of actors,
artists, poets, singers, musicians, film-makers, dancers--and
anyone with an eye for artistic creation and flare for raw talent.
a)LoStCrEaTiVe's ethos:
- Identifies
an individual's lost creative energy and exploring creative
demands
- Challenges
new audience conception of performance
- Eliminates
elitism
- Opens
doors and welcomes both the public as well as the artistic
community to collaborate and share artistic experiences
a)LoStCrEaTiVe is a 'performance art/theater
company', based on the concept of lost creative energy. The
objective is to find this lost creative energy and employ it,
while providing a supportive environment in which individual
artists may explore their creative demands. In creating new,
original work, the aim is to challenge a new audience's conception
of performance. In trying to eliminate elitism, alostcreative
opens the doors and welcomes both the public as well as the
artistic community to collaborate and share their artistic experience.
The need for creative employment might seem like a romantic
ideologue, but it will manifest into a practical utopia. a)LoStCrEaTiVe
draws on the skills and culture of its members and uses this
as natural resources; nurturing the raw talent of the group
and recycling their rejected ideas. The ethos is to challenge
that which is expected, with that which visually possible of
theatre and film, juxtaposing creative disciplines with human
tendencies. There is something quite sexy about this thin line
between respectable theatres and high art that Varvarides wants
to get to grips with!
The structure of the group consists of a series of alternative
workshops (called L.O.S.T.) aimed at opening up that tin of
worms called 'creativity' with a whole hearted outpour of 'imagination.'
The workshops take the structure of acting and writing exercises
aimed at tapping into the subconscious, as stimuli to create
new work. The style often compliments the absurd and questions
concepts of reality. Ideas develop organically-cultivated through
the use of different drama exercises and preserved with the
use of documentation (this documentation forms the educational
part of a)LoStCrEaTiVe and is, in essence, the body of research
into the 'live/performance art' practices that will be later
drawn upon when analyzing the marriage between 'theater' and
'performance art').
The objective is to work towards a finished installation piece,
showcase, exhibit, or performance within four months of brainstorming.
This timeline is enforced so as to keep ideas fresh, while providing
further opportunities to create new work. The artistic director's
intentions in keeping it fresh lie not only in the fusion of
different artistic disciplines, but in the understanding of
the psyche and ones' short concentration span!
All this art and drama is intentioned to broaden the voyeur's
artistic appreciation, as well as challenge the artists to create
work outside of the framed box. The artistic director's signature
borders on the abstract, marries the surreal, parodies Greek
tragedy, and steals from Shakesphere that which was never his. |
 |
|